三献花
The Long Floral Journey
2026  

15 min, 
multi-channel moving-image installation

“三献花/散献花”是一种湖南中部地区临终仪式的歌谣,夜幕降临之时,来自村落的老者会围坐于往生者的身旁,在昏暗的灯光下唱歌为之送行,唱至黎明,仪式的同时会有一队送行的亲属,他们围绕往生者行走,歌唱不止步履不停。此番仪式的经历是艺术家关于这件作品的由来。他在经历的过程中多次体验到记忆中的图像被虚构,被唱词而篡改,但感觉又如此真实。在他的感知中记忆中含当属味觉般的图像含量最高,当味觉相似,图像之间的精准与模糊在记忆中难以辨别真伪,关于个人的感知的微妙体验,艺术家选取了他拥有图像工具以来的图像去建构一段关于“献花”途中的图像隧道,他将图像转换成纸质照片,切割图像中关于家族历史和个人记忆的细节,寻找图像中知晓的证据,放大,放大模糊的角落,将图像折叠扭曲组合成一长串记忆的隧道,随着幽灵视角穿梭其中。

"San Xian Hua / San Xian Hua" (Three Floral Offerings / Scattered Floral Offerings) is a folk song of the funeral ritual in central Hunan. When night falls, elderly villagers from the community gather around the deceased, singing to see them off in dim lamplight until dawn. During the ritual, a procession of relatives also circles the deceased, walking and singing without cease. The artist’s experience of this ritual is the origin of this work. Throughout the experience, he repeatedly found the images in his memory being fictionalised, altered by the sung words, yet the sensation remained so real. In his perception, memory contains an image-density akin to taste—when tastes are similar, the precision and blur between images in memory become impossible to distinguish as true or false. Drawing on this subtle experience of personal perception, the artist selected images from the entire period since he first possessed image-making tools to construct a tunnel of images along the "floral offering" journey. He converted the images into paper photographs, cutting out details of family history and personal memory, searching for evidence known within the images, enlarging them—enlarging blurred corners—then folding, distorting, and assembling the images into a long tunnel of memory, through which he shuttles with a ghost-like perspective.










installation view