When the Things Come to Us 1
装置表演
Installation performance
2025
找寻归属感的迷途中，当下的肉身化存在与对回不去的过去的执念，使得主人公常出现一种撕裂感。在回溯过往深埋的记忆时，不断重建起个人欲望的边界。而对城市表皮欲望式的折叠也成为了一种对自我的束缚。在侥幸逃离自我编织的城市结构后，主人公自觉恍然大悟，却又陷入了另一种空转与循环的困境。城市作为一张有秩序且清晰的网，编织着每一个新的未来。生存让彼此融入新的规则，也让彼此的部分自我被压抑着。在探寻人与所处城市与社会的位置关系之时，个体的空转内耗变成一种症候被谈起。作品借用了剧场表演的形式，以生活中的过街天桥作为俯视的看台，通过对城市表皮形式化的折叠，向观众呈现一场关于个体内心欲望建构的表演 。
This installation performance piece is the artist’s personal exploration of the contemporary state of rootlessness. The city, acting as a "skin," is often perceived in our daily lives as an "internal state" of urban existence. However, at a certain stage—when the membrane of this "skin" can no longer be ignored, or even becomes impenetrable—our original familiarity with the surfaces of things begins to turn strange. Consequently, a re-examination of "belonging" sparked the artist’s pursuit of paradoxical meanings. The performance narrates how, as the protagonist struggles to integrate into urban society, personal desires and internal conflicts continuously accumulate and manifest.
Lost in the quest for belonging, the protagonist is frequently torn by a sense of fragmentation, caught between a corporeal, present-day existence and an obsession with an irretrievable past. While retracing deeply buried memories of the past, they continually rebuild the boundaries of personal desire. Meanwhile, the desire-driven folding of the urban skin also transforms into a form of self-constraint. Having managed to narrowly escape the self-woven urban structure, the protagonist experiences a sudden realization, only to fall into yet another predicament of idle spinning and cyclical entrapment. The city, functioning as an orderly and clear-cut web, weaves every new future. Survival forces individuals to integrate into new rules, while also suppressing parts of their true selves. In exploring the positional relationship between the individual, the city, and society, individual internal friction and futile repetition emerge as a symptom to be discussed. Borrowing the form of theatrical performance and using an ordinary pedestrian overpass as an overlooking grandstand, the work presents the audience with a performance regarding the construction of individual inner desires through the formalized folding of the urban skin.
《当事物来到你眼前 1》
When the Things Come to Us 1
导演/概念/装置设计：谭英杰
文本：张兆瑞
制作人/执行导演：苏倩
肢体指导：廖婧琳 郭星
灯光设计：周元
音效/音响设计：薛紫珣
多媒体设计：谢亚楠
技术总监：王凤智
舞台监督：魏蓝
舞美助理：王清越（Aza）
演员：何书婉 徐天戈 周士尧
鼓手：张有超
声音出演：曹杉
海报概念：李中凯
策展人：唐一菲
When the Things Come to Us 1
导演/概念/装置设计：谭英杰
文本：张兆瑞
制作人/执行导演：苏倩
肢体指导：廖婧琳 郭星
灯光设计：周元
音效/音响设计：薛紫珣
多媒体设计：谢亚楠
技术总监：王凤智
舞台监督：魏蓝
舞美助理：王清越（Aza）
演员：何书婉 徐天戈 周士尧
鼓手：张有超
声音出演：曹杉
海报概念：李中凯
策展人：唐一菲
当事物来到你眼前表演全程.mp4
链接: https://pan.baidu.com/s/1jIKuM867mnbLvPiziimLTQ?pwd=fyf2 提取码: fyf2
当事物来到你眼前11分钟剪辑版.m4v
链接: https://pan.baidu.com/s/1sug_rflS6J9UdKoNz4151g?pwd=2dk5 提取码: 2dk5